العيلامية الخطية

(تم التحويل من Linear Elamite)
العيلامية الخطية
Linear Elamite
قائمة الحروف المعروفة من العيلامية الخطية.[1]
النوع
لم تفك رموزها
اللغاتالعيلامية؟
الفترة الزمنيةالألفية 3 قبل الميلاد
الحالةExtinct
النظم الوالدة
الكتابة الأولية

العيلامية الخطية، هو نظام كتابي من العصر البرونزي لم يتم فك شفرته حتى الآن، كان يستخدم في عيلام، وتم التعرف عليه من بعض النقوش الأثرية فقط، استخدم بالتزامن مع النقوش المسمارية العيلامية والسجلات المحتملة للعيلامية. [2] The French archaeologist François Desset (fr) and his colleagues have argued that it is the oldest known purely phonographic writing system,[2] although others, such as the linguist Michael Mäder, have argued that it is partly logographic.[3][4]

There have been multiple attempts to decipher the script, aided by the discovery of a limited number of multilingual and bigraphic inscriptions. Early efforts by Carl Frank (de) (1912) and Ferdinand Bork (1905, 1924) made limited progress.[5] Later work by Walther Hinz (de) and Piero Meriggi (it; de) furthered the work.[6][7] Starting in 2018, Desset outlined some of his proposed decipherments of the script accomplished with a team of other scholars.[8][9][10] Their proposed near-complete decipherment was published in 2022,[2] being received positively by some researchers[أ] while others[ب] remain sceptical until detailed translations of texts have been published.[11][4]

التاريخ

It is often argued that Linear Elamite is derived from the older Proto-Elamite writing system.[ت] The earliest evidence for the use of Linear Elamite script in Susa has been traditionally associated with the rule of king Puzur-inshushinak. He came to power sometime around 2150 BCE.[12]

There is also evidence that the script was used even earlier, such as in 2300 BCE, but this has not been fully confirmed.[citation needed]

The use of Linear Elamite continued after 2100 BCE, and the death of King Puzur-Shushinak, last ruler of the Awan Dynasty in Susa. After his death, Susa was overrun by the Third dynasty of Ur, while Elam fell under control of the Shimashki dynasty, also Elamite of origin.[13]

In 2018, substantial new Linear Elamite texts became available to scholars,[8] which created improved conditions for decipherment. These are the texts associated with the Sukkalmah Dynasty (1900–1500 BCE).[citation needed]

النصوص المعروفة

Silver cup (item Q) from Marvdasht, Fars, with Linear-Elamite inscription on it, from the 3rd millennium BCE and kept in the National Museum of Iran. According to Desset et al., the inscription reads "For the Lady of Marapsha (toponym), (named) Shuwar-asu, I made this silver vase. In the Temple that will be known by my name, Humshat, I dedicated it with goodwill for you."[10][14]

ثلاث مكانز

اعتبارا من 2021, there are now 51 known texts and fragments written in Linear Elamite.[15] They can be divided into three sub-corpora: the Western Elamite (Lowlands), the Central Elamite (Highlands), and the Eastern Elamite (Elamo-Bactrian).[15]

العيلامية الغربية (المنخفضات)

18 texts are on stone and clay objects, with a total of 533 signs excavated in the acropolis at Susa (now kept in the Louvre in Paris). These are now classified as belonging to the Western Elamite (Lowlands) group.[15] Other objects are held at the National Museum of Iran.

العيلامية الوسطى (المرتفعات)

The Central Elamite (Highlands) group consists of twenty-four inscriptions or fragments (with 1,133 signs in total) all on silver vessels.[15] In 2016, 10 additional Linear Elamite inscriptions were discovered (and published in 2018), some containing nearly 200 signs.[16] These are now classified as belonging to this group.

العيلامية الشرقية (عيلامو-بخترية)

The Eastern Elamite group consists of eight short inscriptions, whose lengths range from two and eleven signs.[15]

تبويب أقدم

According to an older classification, Elamite texts were identified by letters A-V.[ث]

The most important longer texts, partly bilingual, appear in monumental contexts. They are engraved on large stone sculptures, including an alabaster statue of a goddess identified as Narundi (I), the Table au Lion (A), and large votive boulders (B, D), as well as on a series of steps (F, G, H, U) from a monumental stone stairway, where they possibly alternated with steps bearing texts with Akkadian titles of Puzur-Shushinak. One of the best sources of knowledge regarding the Elamite language is the bilingual monument called the "Table of the Lion" currently in the Louvre museum. The monument is written in both Akkadian, which is a known language, and in Linear Elamite. A unique find is item Q, a silver vase found 1.5 kilometers northwest of Persepolis, with a single line of perfectly executed text, kept in the Tehran Museum.[17] There are also a few texts on baked-clay cones (J, K, L), a clay disk (M), and clay tablets (N, O, R). Some objects (A, I, C) include both Linear Elamite and Akkadian cuneiform inscriptions. The bilingual and bigraphic inscriptions of the monumental stairway as a whole, and the votive boulder B have inspired the first attempts at decipherment of Linear Elamite (Bork, 1905, 1924; Frank, 1912). Nine texts have also been found on silver beakers (X, Y, Z, F', H', I', J', K' and L').[8]

أمثلة

  • Clay cone with Linear Elamite text, dated to the reign of Puzur-Inshushinak.[18] Louvre Museum Sb 17830.
    Clay cone with Linear Elamite text, dated to the reign of Puzur-Inshushinak.[18] Louvre Museum Sb 17830.
  • Clay tablet with Linear Elamite text. Louvre Museum Sb 9382.
    Clay tablet with Linear Elamite text. Louvre Museum Sb 9382.
  • Perforated stone, with Linear Elamite text. Louvre Museum Sb6 Sb177.
    Perforated stone, with Linear Elamite text. Louvre Museum Sb6 Sb177.
  • Table au Lion with Linear Elamite text, and a proposed reading by Frank (1912, p. 29).
    Table au Lion with Linear Elamite text, and a proposed reading by Frank (1912, p. 29).
  • Perforated stone with Linear Elamite text, and a proposed reading by Frank (1912, pp. 32–33).
    Perforated stone with Linear Elamite text, and a proposed reading by Frank (1912, pp. 32–33).
  • The Elamite name of Puzur‑Inshushinak: Pu-zu-r Su-ši-na-k in Linear Elamite script.[19]
    The Elamite name of Puzur‑Inshushinak:
    Pu-zu-r Su-ši-na-k
    in Linear Elamite script.[19]

الاشتباه في تزوير

A few of the short Linear Elamite inscriptions on some unprovenanced objects are suspected of being forgeries.[15][ج] In particular, three brick tablets found at Jiroft are suspect.[20]

فك الرموز

Efforts towards the decipherment of Linear Elamite are long-standing. A very large Achaemenid Elamite language vocabulary is known from the trilingual Behistun inscription and numerous other trilingual inscriptions of the Achaemenid Empire, in which Elamite was written using Elamite cuneiform (400 BCEح. 400 BCE), which is fully deciphered. There is also a reasonably large corpus of the already deciphered Middle Elamite texts. By comparison not much is known about Old Elamite, the presumed language of Linear Elamite, and most texts are very short. This makes the decipherment of Linear Elamite more challenging. An important dictionary of the Elamite language, the Elamisches Wörterbuch was published in 1987 by W. Hinz and H. Koch.[21][22] The Linear Elamite script however, one of the scripts used to write the Elamite language (2000 BCEح. 2000 BCE), had remained largely elusive.[23]

الجهود المبكرة (1905–1912)

Bilingual Linear Elamite-Akkadian inscription of king Puzur-Inshushinak, Table au Lion, Louvre Museum Sb 17; the first successful readings of Linear Elamite in 1905 and 1912 were based on the presence of two words with similar endings in the known Akkadian Cuneiform ("Inshushinak" and "Puzur-Shushinak" in red), and correspondingly similar sets of signs in the Elamite translation (blue).

The first readings were determined by the analysis of the bilingual cuneiform Akkadian-Linear Elamite Table au Lion (Louvre Museum), by Bork (1905) and Frank (1912). Two words with similar endings were identified in the beginning of the inscription in the known Akkadian cuneiform (the words "Inshushinak" 𒀭𒈹𒂞 dinšušinak and "Puzur-Inshushinak" 𒅤𒊭𒀭𒈹𒂞 puzur4-dinšušinak), and correspondingly similar sets of signs with identical endings were found in the beginning of the Elamite part ( and ), suggesting a match.[23] This permitted a fairly certain determination of about ten signs of Linear Elamite:[23]

Further efforts were made, but without significant success.[23]

أقداح فضية

Additional readings were proposed by CNRS associate researcher François Desset in 2018, based on his analysis of several silver beakers that were held in a private collection, and only came to light in 2004. Desset identified repetitive sign sequences in the beginning of the inscriptions, and guessed they were names of kings, in a manner somewhat similar to Grotefend's decipherment of Old Persian cuneiform in 1802–1815.[25][26] Using the small set of letters identified in 1905–1912, the number of symbols in each sequence taken as syllables, and in one instance the repetition of a symbol, Desset was able to identify the only two contemporary historical rulers that matched these conditions: Shilhaha and Ebarat, the two earliest kings of the Sukkalmah Dynasty.[8] Another set of signs matched the well-known God of the period: Napirisha. This permitted the determination of several additional signs:[8][27]

قراءة النصوص

In 2020 Desset announced that he and an international team of researchers had completed a proposed decipherment of all known inscriptions in Linear Elamite, through deductive work based on the confrontation of known Elamite vocabulary and the recently determined additional letters, and through the analysis of the standard contents of known Elamite texts in cuneiform.[27][10] Their near-complete decipherment of the script was published in 2022.[2] (See below.)

New readings include:

نظام الكتابة

Regularised Linear Elamite characters as interpreted by Desset et al. in 2022.[2]

التبويب

In 2009, the archaeologist Jacob L. Dahl, who researches the decipherment of Proto-Elamite, argued that Linear Elamite was a limited-use writing system with few practitioners and that its signary lacked standardisation. He expressed doubts that the corpus of texts belonged to a single shared tradition of writing and suggested that many texts may be composed of pseudo-glyphs which do not encode any decipherable meaning, although some appeared to imitate older texts.[29]

In 2022, Desset et al. (2022) argued that Linear Elamite is an alpha-syllabary, which would make it the oldest known purely phonographic writing system.[2] However, they admit that some logograms may have been used, although only rarely and not systematically, arguing that Elamite scribes rejected logographic writing in the 3rd millennium BCE.[30] Other researchers, such as the linguist Michael Mäder, dispute this, arguing that only around 70 percent of Linear Elamite characters are likely to be purely phonographic and that the remainder are logograms, as evidenced by mathematical analyses of Linear Elamite inscriptions.[4][31]

مخزون العلامات

An early inventory of Linear Elamite by Carl Frank (de), published in 1912, listed 64 distinct signs, noting some allographic variations.[24] Since then, more recent discoveries have allowed more signs to be identified. In 2022, Desset and his colleagues published an updated inventory of 348 Linear Elamite glyphs,[32] corresponding to between 80 and 110 graphemes, including 72 phonographic signs and their allographic variants, 4 undeciphered infrequent signs, and 33 hapax legomena.[33]

العلاقة بنظم الكتابة الأخرى

انظر أيضاً: تاريخ الكتابة

Some scholars have suggested that Linear Elamite is derived from the older Proto-Elamite script. Desset and colleagues argue that Linear Elamite is an evolution of the Proto-Elamite script, and that the Proto-Elamite script evolved, in parallel with Sumerian cuneiform, from a common substrate of simple signs and numerals used with accounting tokens and numerical tablets.[27] Desset outlined some of their discoveries in public lectures,[27][28] before they were formally published in July 2022.[2] His colleagues in this research included Kambiz Tabibzadeh, Matthieu Kervran, Gian Pietro Basello, and Gianni Marchesi.[34][2]

However, the continuous evolution of Linear Elamite from Proto-Elamite is disputed by other researchers. Dahl argues that similarities with Linear Elamite are better explained by imitation of the most frequent Proto-Elamite signs from objects recovered at Susa by Elamite scribes familiar with Old Akkadian cuneiform who, faced with Mesopotamian cultural expansion, sought, in a process of schismogenesis, to culturally differentiate themselves by borrowing from an ancient local writing system, namely Proto-Elamite, to provide the basis for an archaicising new script. This, he argues, better explains the unusual content of some texts, such as "O" and "M", inconsistency in the form and execution of signs, and apparent resistance to trends of simplification that would otherwise be expected from scripts used in administrative settings, as was the case with Proto-Elamite.[35]

الترميز

During a 2-year research program at ANRT (Atelier National de Recherche Typographique), Sina Fakour designed a computer font for Linear Elamite based on the analysis of inscriptions on various materials. The typeface, named Hatamti, includes about 400 glyphs that makes the digital transmission and reproduction of Linear Elamite possible. Additionally he investigated the role of the engraving tool and the material on the quality of the signs.[36] This project was undertaken as part of the Missing Scripts[37] program and in collaboration with François Desset.

المكنز أونلاين لنقوش العيلامية الخطية (OCLEI)

This Unicode-based text collection established at the University of Bern offers access to the texts, including photographs, drawings, and source information for each individual inscription. The texts are searchable using regular expressions (RegEx), and the Linear Elamite characters can be automatically replaced with their presumed phonetic values.[38] This allows for the quick copying of search results and text transliterations, and numerous statistical tools are available. The associated TrueType font, "Elamicon" is available free of charge from the OCLEI Website.

النصوص المكتشفة

Bilingual Linear Elamite-Akkadian inscription of king Kutik-Inshushinak, "Table au Lion", Louvre Museum Sb 17

هناك 22 نص معروف فقط بالعيلامية الخطية؛ تم تحديديهم من خلال وضع الحروف من A-V(Hinz, 1969, pp. 11–44; Andre‚ and Salvini, 1989, pp. 58–61)؛ 19 من تلك النصوص تم اكتشافهم على قطع من الحجارة والطين كانت محفورة على قلعة في شوشان (وهي الآن محفوظة في متحف اللوڤر في باريس). أما الفطع الأخرى فهي موجودة في متحف إيران الوطني.

انظر أيضاً

ملاحظات

  1. ^ Such as Manfred Krebernik, an expert on Near Eastern Studies at the University of Jena; Matthew Stolper, an Assyriologist at the University of Chicago; Piotr Steinkeller, an Assyriologist at Harvard University.
  2. ^ Such as Michael Mäder, linguist at the University of Bern.
  3. ^ Desset et al. (2022), p. 52: "Here we put forward the hypothesis that Proto-Elamite and Linear Elamite scripts were probably not two different writing systems, but the same system at two different chronological stages of evolution"; with footnote 122: "As has previously been proposed by Gelb (1963, 89: Linear Elamite as a 'developed form' of Proto-Elamite), Reiner (1969, 56: 'a more developed form of this writing'), Meriggi (1971, 184: 'derivate da quella delle tavolette di contabilità'), Steve (2000, 75–78), and Grillot (2008, 9). For an opposite view, see Englund (2004, 143–44, n. 9)."
  4. ^ See Hinz (1969, pp. 11–44); André & Salvini (1989, pp. 58–61).
  5. ^ See "Authenticity of the Artifacts" section in Mäder (2021).

المصادر

  1. ^ Zur Entzifferung der altelamischen Inschriften - PDF Free Download (in الإنجليزية). pp. 52–56.
  2. ^ أ ب ت ث ج ح خ د Desset et al. (2022).
  3. ^ Desset (2018a).
  4. ^ أ ب ت Ewert (2022).
  5. ^ Hinz (1975).
  6. ^ Meriggi (1971), Meriggi (1974a), and Meriggi (1974b)
  7. ^ Hinz (1969).
  8. ^ أ ب ت ث ج ح خ د Desset (2018b).
  9. ^ Desset (2021).
  10. ^ أ ب ت Arnaud (2020).
  11. ^ Lawler (2022).
  12. ^ Salvini (2011).
  13. ^ Vallat (2011).
  14. ^ Desset (2018a), Item Q.
  15. ^ أ ب ت ث ج ح Mäder (2021), pp. 1–9.
  16. ^ Mäder (2017).
  17. ^ Potts (2008).
  18. ^ Harper, Aruz & Tallon (1992).
  19. ^ Desset et al. (2022), p. 29.
  20. ^ Lawler (2007).
  21. ^ Hinz & Koch (1987a).
  22. ^ Hinz & Koch (1987b).
  23. ^ أ ب ت ث Desset (2018a), pp. 405–406.
  24. ^ أ ب ت Frank (1912).
  25. ^ Desset (2018b), p. 140.
  26. ^ Desset et al. (2022), p. 12–13.
  27. ^ أ ب ت ث ج ح خ د Desset (2020a).
  28. ^ أ ب Desset (2020b).
  29. ^ Dahl (2009), pp. 23–31.
  30. ^ Desset et al. (2022), pp. 35–36, 50–53.
  31. ^ Mäder (2021), p. 1.
  32. ^ Desset et al. (2022), p. 19–23.
  33. ^ Desset et al. (2022), p. 34–35.
  34. ^ University of Tehran (2021).
  35. ^ Dahl (2023).
  36. ^ "Anrt – The Missing Scripts 2021: Elamite Linéaire". anrt-nancy.fr. Retrieved 2023-10-13.
  37. ^ "The World's Writing Systems : The Project". worldswritingsystems.org. Retrieved 2023-10-13.
  38. ^ Mäder et al. (2018), p. 54,57.

المراجع

  • B. Andre‚ and M. Salvini, "Réflexions sur Puzur-Inšušinak," Iranica Antiqua 24, 1989, pp. 53–72.
  • F. Bork, "Zur protoelamischen Schrift," OLZ 8, 1905, pp. 323–30.
  • F. Bork, Die Strichinschriften von Susa, Königsberg, 1924.
  • C. Frank, Zur Entzifferung der altelamischen Inschriften, Berlin, 1912.
  • RK Englund, The proto-Elamite script, in Daniels, Peter T., Ed.; Bright, William, Ed The World's Writing Systems, Oxford University Press, 1996 ISBN 978-0195079937
  • W. Hinz, "Zur Entzifferung der elamischen Strichinschrift," Iranica Antiqua 2, 1962, pp. 1–21.

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