گيورگي ليگتي

الصيغة الأصلية لهذا الاسم الشخصي هي Ligeti György Sándor. هذه المقالة تستخدم الترتيب الغربي للأسماء.
György Ligeti (1984)

گيورگي ساندور ليگتي (György Sándor Ligeti ؛ /ˈlɪɡəti/؛ بالمجرية: Ligeti György Sándor؛ تـُنطق [ˈliɡɛti ˈɟørɟ ˈʃaːndor]؛ 28 مايو 192312 يونيو 2006) was a Hungarian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".[1]


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الجوائز


أبرز تلاميذه

قالب:For LMST

الكتابات

  • Ligeti, György. 1957. "Zur III. Klaviersonate von Boulez" Die Reihe 5: "Berichte—Analyse": 38–40. English as "Some Remarks on Boulez' 3rd Piano Sonata", translated by Leo Black. Die Reihe [English edition] 5: "Reports—Analyses" (1961): 56–58.
  • Ligeti, György. 1958. "Pierre Boulez. Entscheidung und Automatik in der Structure 1a ". Die Reihe 4: "Junge Komponisten": 38–63. English as "Pierre Boulez: Decision and Automaticism in Structure 1a", translated by Leo Black. Die Reihe [English edition] 4: "Young Composers" (1960): 36–62.
  • Ligeti, György. 1960. "Wandlungen der musikalischen Form" Band 7: "Form—Raum": 5–17. English as "Metamorphoses of Musical Form", translated by Cornelius Cardew. Die Reihe [English edition] 7 "Form—Space" (1964): 5–19.
  • Ligeti, György. 1960. "Zustände, Ereignisse, Wandlungen: Bemerkungen zu meinem Orchesterstück Apparitions". Bilder und Blätter 11. Reprinted as "Zustände, Ereignisse, Wandlungen". Melos 34 (1967): 165–69. English as "States, Events, Transformations", translated by Jonathan W. Bernard. Perspectives of New Music 31, no. 1 (Winter 1993): 164–71.
  • Ligeti, György. 1978. "On Music and Politics", translated by Wes Blomster. Perspectives of New Music 16, no. 2 (Spring–Summer): 19–24. Originally published in German, in the Darmstädter Beiträge zur Neuen Musik 13 (1973): 42–46.
  • Ligeti, György. 1987. "A Viennese Exponent of Understatement: Personal Reflections on Friedrich Cerha", translated by Inge Goodwin. Tempo, New Series, no. 161/162: "...An Austrian Quodlibet..." (June–September): 3–5.
  • Ligeti, György. 1988. "On My Piano Concerto", translated by Robert Cogan. Sonus: A Journal of Investigations into Global Musical Possibilities 9, no. 1 (Fall): 8–13.
  • Ligeti, György, and Peter Sellars. "Le Grand Macabre: An Opera in Two Acts (Four Scenes) 1974-1977". Grand Street, no. 59: "Time" (Winter): 206–14.
  • Ligeti, György. 2001. Neuf essais sur la musique, translated by Catherine Fourcassié. Geneva: Contrechamps.

الهامش

  1. ^ Cummings n.d.
  2. ^ "1986- Gyorgy Ligeti".
  3. ^ أ ب Schott Music n.d.(a).
  4. ^ Schott Music n.d.(b).

المصادر


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للاستزادة

  • Drott, Eric. 2011. "Lines, Masses, Micropolyphony: Ligeti's Kyrie and the 'Crisis of the Figure'". Perspectives of New Music 49, no. 1 (Winter):4–46.
  • Edwards, Peter. 2016. György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Abingdon and New York: Routledge. ISBN 978-1472456984
  • Floros, Constantin. 2014. György Ligeti: Beyond Avant-Garde and Postmodernism, translated by Ernest Bernhardt-Kabisch. Frankfurt-am-Main: Peter Lang GmbH, Internationaler Verlag der Wissenschaften. ISBN 978-3631654996

وصلات خارجية

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قالب:György Ligeti