گيورگي ليگتي

(تم التحويل من جيورجي لجيتي)
الصيغة الأصلية لهذا الاسم الشخصي هي Ligeti György Sándor. هذه المقالة تستخدم الترتيب الغربي للأسماء.
György Ligeti (1984)

گيورگي ساندور ليگتي (György Sándor Ligeti ؛ /ˈlɪɡəti/؛ مجرية: Ligeti György Sándor؛ تـُنطق [ˈliɡɛti ˈɟørɟ ˈʃaːndor]؛ 28 مايو 192312 يونيو 2006) was a Hungarian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".[1]


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الجوائز


أبرز تلاميذه

قالب:For LMST

الكتابات

  • Ligeti, György. 1957. "Zur III. Klaviersonate von Boulez" Die Reihe 5: "Berichte—Analyse": 38–40. English as "Some Remarks on Boulez' 3rd Piano Sonata", translated by Leo Black. Die Reihe [English edition] 5: "Reports—Analyses" (1961): 56–58.
  • Ligeti, György. 1958. "Pierre Boulez. Entscheidung und Automatik in der Structure 1a ". Die Reihe 4: "Junge Komponisten": 38–63. English as "Pierre Boulez: Decision and Automaticism in Structure 1a", translated by Leo Black. Die Reihe [English edition] 4: "Young Composers" (1960): 36–62.
  • Ligeti, György. 1960. "Wandlungen der musikalischen Form" Band 7: "Form—Raum": 5–17. English as "Metamorphoses of Musical Form", translated by Cornelius Cardew. Die Reihe [English edition] 7 "Form—Space" (1964): 5–19.
  • Ligeti, György. 1960. "Zustände, Ereignisse, Wandlungen: Bemerkungen zu meinem Orchesterstück Apparitions". Bilder und Blätter 11. Reprinted as "Zustände, Ereignisse, Wandlungen". Melos 34 (1967): 165–69. English as "States, Events, Transformations", translated by Jonathan W. Bernard. Perspectives of New Music 31, no. 1 (Winter 1993): 164–71.
  • Ligeti, György. 1978. "On Music and Politics", translated by Wes Blomster. Perspectives of New Music 16, no. 2 (Spring–Summer): 19–24. Originally published in German, in the Darmstädter Beiträge zur Neuen Musik 13 (1973): 42–46.
  • Ligeti, György. 1987. "A Viennese Exponent of Understatement: Personal Reflections on Friedrich Cerha", translated by Inge Goodwin. Tempo, New Series, no. 161/162: "...An Austrian Quodlibet..." (June–September): 3–5.
  • Ligeti, György. 1988. "On My Piano Concerto", translated by Robert Cogan. Sonus: A Journal of Investigations into Global Musical Possibilities 9, no. 1 (Fall): 8–13.
  • Ligeti, György, and Peter Sellars. "Le Grand Macabre: An Opera in Two Acts (Four Scenes) 1974-1977". Grand Street, no. 59: "Time" (Winter): 206–14.
  • Ligeti, György. 2001. Neuf essais sur la musique, translated by Catherine Fourcassié. Geneva: Contrechamps.

الهامش

  1. ^ Cummings n.d.
  2. ^ "1986- Gyorgy Ligeti".
  3. ^ أ ب Schott Music n.d.(a).
  4. ^ Schott Music n.d.(b).

المصادر

للاستزادة

  • Drott, Eric. 2011. "Lines, Masses, Micropolyphony: Ligeti's Kyrie and the 'Crisis of the Figure'". Perspectives of New Music 49, no. 1 (Winter):4–46.
  • Edwards, Peter. 2016. György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Abingdon and New York: Routledge. ISBN 978-1472456984
  • Floros, Constantin. 2014. György Ligeti: Beyond Avant-Garde and Postmodernism, translated by Ernest Bernhardt-Kabisch. Frankfurt-am-Main: Peter Lang GmbH, Internationaler Verlag der Wissenschaften. ISBN 978-3631654996

وصلات خارجية

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قالب:György Ligeti