| Image |
Title |
Date |
Dimensions |
Collection
|
|
Detroit Trio (The Appeal)
|
c. 1500
|
84.5 x 69.2 cm
|
Detroit Institute of Arts (Detroit). Also attributed to Giorgione and Sebastiano del Piombo
|
 |
Christ Carrying the Cross |
1505 |
&&&&&&&&&&&&&068.20000068٫2 × 88.3 cm |
Scuola Grande di San Rocco (Venice). Also attributed to Giorgione.[1]
|
 |
Madonna and Child (Bache Madonna) |
1508 !c. 1508 |
&&&&&&&&&&&&&045.&&&&&045 × 55 cm |
Metropolitan Museum of Art (New York)
|
|
Flight into Egypt
|
c. 1508
|
&&&&&&&&&&&&0206.&&&&&0206 × 336 cm
|
Hermitage Museum (Saint Petersburg)
|
|
Christ and the Adulteress
|
1508–1510 !c. 1508–1510
|
&&&&&&&&&&&&0139.300000139٫3 × 181.7 cm
|
Kelvingrove Art Gallery and Museum (Glasgow)
|
 |
Portrait of a Man (A Man with a Quilted Sleeve) |
1508–1510 !c. 1508–1510 |
&&&&&&&&&&&&&081.20000081٫2 × 66.3 cm |
National Gallery (London)[2]
|
 |
Portrait of a Lady (La Schiavona) |
1509–1510 !c. 1509–1510 |
&&&&&&&&&&&&0117.&&&&&0117 × 97 cm |
National Gallery (London)[3]
|
 |
Pastoral Concert |
1510 !c. 1510 |
&&&&&&&&&&&&0118.&&&&&0118 × 138 cm |
Louvre (Paris)[4]
|
 |
Portrait of a Man in a Red Cap |
1510 !c. 1510 |
&&&&&&&&&&&&&082.&&&&&082 × 71 cm |
Frick Collection (New York)
|
|
The Lovers
|
c. 1510
|
74.5 x 65.2 cm
|
Royal Collection (Windsor). Attributed to Titian
|
 |
St. Mark Enthroned |
1510/11 |
&&&&&&&&&&&&0218.&&&&&0218 × 149 cm |
Santa Maria della Salute (Venice)
|
 |
The Jealous Husband |
1511 |
&&&&&&&&&&&&0340.&&&&&0340 × 207 cm |
Scuola del Santo, Padua
|
 |
Miracle of the Irascible Son |
1511 |
&&&&&&&&&&&&0340.&&&&&0340 × 207 cm |
Scuola del Santo, Padua
|
| ملف:Tizian - Wunder des sprechenden Neugeborenen - 1511.jpg |
Miracle of the Newborn Infant |
1511 |
&&&&&&&&&&&&0340.&&&&&0340 × 355 cm |
Scuola del Santo, Padua
|
 |
Noli me tangere |
1511–1515 !c. 1511–1515 |
&&&&&&&&&&&&0109.&&&&&0109 × 91 cm |
National Gallery (London)[5]
|
 |
Woman with a Mirror |
1511–1515 !c. 1511–1515
|
&&&&&&&&&&&&&096.&&&&&096 × 76 cm |
Louvre (Paris)[6]
|
 |
An Unknown Man |
1512 !c. 1512 |
&&&&&&&&&&&&&073.70000073٫7 x 62.2 cm |
National Trust (Ickworth House)
|
 |
The Three Ages of Man |
1512 !c. 1512 |
&&&&&&&&&&&&0106.&&&&&0106 × 182 cm |
National Gallery of Scotland (Edinburgh)[7]
|
 |
Madonna and Child ("The Gypsy Madonna") |
1512 !c. 1512 |
&&&&&&&&&&&&&065.80000065٫8 × 83.8 cm |
Kunsthistorisches Museum (Vienna)[8]
|
|
Baptism of Christ
|
1512 !c. 1512
|
115 × 89 cm
|
Capitoline Museums (Rome)
|
 |
Balbi Holy Conversation (Madonna and Child with Sts. Catherine and Dominic and a Donor) |
1512 !c. 1512-1514 |
&&&&&&&&&&&&0130.&&&&&0130 × 185 cm |
Magnani-Rocca Foundation (Traversetolo)
|
|
The Archangel Raphael and Tobias
|
1512 !c. 1512-1514
|
&&&&&&&&&&&&0170.&&&&&0170 × 146 cm
|
Gallerie dell'Accademia (Venice)
|
 |
Portrait of Jacopo Sannazaro |
1514–1518 !c. 1514–1518 |
&&&&&&&&&&&&&085.70000085٫7 × 72.7 cm |
Royal Collection (United Kingdom)
|
 |
Flora |
1515 !c. 1515 |
&&&&&&&&&&&&&079.&&&&&079 × 63 cm |
Uffizi (Florence)
|
| ملف:Tiziano Vecellio, gen. Tizian, Kunsthistorisches Museum Wien - Der Arzt Gian Giacomo Bartolotti da Parma - GG 94 - Kunsthistorisches Museum.jpg
|
Portrait of the Physician Gian Giacomo Bartolotti da Parma
|
c. 1515
|
&&&&&&&&&&&&&088.&&&&&088 × 75 cm
|
Kunsthistorisches Museum (Vienna)
|
 |
Portrait of a Man |
1515 !c. 1515 |
&&&&&&&&&&&&&050.&&&&&050 × 45 cm |
Metropolitan Museum of Art (New York)
|
 |
Salome |
1515 !c. 1515 |
&&&&&&&&&&&&&090.&&&&&090 × 72 cm |
Doria Pamphilj Gallery (Rome)
|
 |
Kirschenmadonna (Madonna of the Cherries) |
1515 !c. 1515 |
&&&&&&&&&&&&&081.&&&&&081 × 99.5 cm |
Kunsthistorisches Museum (Vienna)[9]
|
 |
Vanity |
1515 !c. 1515 |
&&&&&&&&&&&&&097.&&&&&097 × 81 cm |
Alte Pinakothek (Munich)
|
| ملف:Tiziano Vecellio, gen. Tizian, Kunsthistorisches Museum Wien - Violante - GG 65 - Kunsthistorisches Museum.jpg |
Violante |
1515–1516 !c. 1515–1516 |
&&&&&&&&&&&&&064.50000064٫5 × 51 cm |
Kunsthistorisches Museum (Vienna)
|
 |
Lucretia and her Husband (or Tarquin and Lucretia, and possibly by Palma Vecchio) |
1515–1520 !c. 1515–1520 |
&&&&&&&&&&&&&082.&&&&&082 × 68 cm |
Kunsthistorisches Museum (Vienna)
|
 |
An Unknown Man in a Black Plumed Hat |
1515–1520 !c. 1515–1520 |
&&&&&&&&&&&&&070.50000070٫5 × 63 cm |
National Trust (Petworth House)
|
 |
Sacred and Profane Love |
1515–1516 !c. 1515–1516 |
&&&&&&&&&&&&0118.&&&&&0118 × 279 cm |
Galleria Borghese (Rome)
|
 |
Tribute Money !The Tribute Money |
1516 !c. 1516 |
&&&&&&&&&&&&&075.&&&&&075 × 56 cm |
Gemäldegalerie Alte Meister, Dresden
|
 |
Assumption of the Virgin |
1516–1518 !c. 1516–1518 |
&&&&&&&&&&&&0690.&&&&&0690 × 360 cm |
Basilica di Santa Maria Gloriosa dei Frari (Venice)
|
 |
The Virgin and Child with Saint George and Saint Dorothy |
1516 !c. 1516 |
&&&&&&&&&&&&&086.&&&&&086 × 130 cm |
Prado Museum (Madrid)
|
|
Virgin and Child with Saint John the Baptist and an Unidentified Saint
|
1515–1520 !c. 1515–1520
|
62.7 x 93 cm
|
Duke of Sutherland, on loan to the Scottish National Gallery (Edinburgh)
|
 |
The Bacchanal of the Andrians |
1518–1519 !c. 1518–1519 |
&&&&&&&&&&&&0175.&&&&&0175 × 193 cm |
Museo del Prado (Madrid)[10]
|
 |
Worship !The Worship of Venus |
1518–1520 |
&&&&&&&&&&&&0172.&&&&&0172 × 175 cm |
Museo del Prado (Madrid)[11]
|
 |
Malchiostro !Malchiostro Annunciation |
1520 !c. 1520 |
&&&&&&&&&&&&0210.&&&&&0210 × 176 cm |
Duomo, (Treviso)
|
| ملف:Tiziano Vecellio, gen. Tizian, Kunsthistorisches Museum Wien - Christus und die Ehebrecherin - GG 114 - Kunsthistorisches Museum.jpg
|
Christ and the Adulteress
|
c. 1520
|
&&&&&&&&&&&&&082.50000082٫5 × 136.5 cm
|
Kunsthistorisches Museum (Vienna)
|
|
Virgin and Child with Saint Stephen, Saint Jerome and Saint Maurice
|
c. 1510–1525
|
&&&&&&&&&&&&0112.500000112٫5 × 143.2 cm
|
Louvre (Paris)
|
|
Mary with Child and Saints Stephen, Jerome and Mauritius
|
c. 1520
|
&&&&&&&&&&&&&093.30000093٫3 × 138.2 cm
|
Kunsthistorisches Museum (Vienna)
|
 |
Portrait Of Vincenzo Mosti !Portrait of Vincenzo Mosti |
1520 !c. 1520 |
&&&&&&&&&&&&&085.&&&&&085 × 67 cm |
Galleria Palatina, (Florence)
|
 |
Gozzi !Gozzi Altarpiece |
1520 |
&&&&&&&&&&&&0312.&&&&&0312 × 215 cm |
Pinacoteca civica Francesco Podesti, (Ancona)
|
 |
Averoldi Polyptych |
1520–1522 !c. 1520–1522 |
&&&&&&&&&&&&0278.&&&&&0278 × 292 cm |
Santi Nazaro e Celso (Brescia)
|
 |
Venus Anadyomene |
1520 !c. 1520 |
&&&&&&&&&&&&&073.60000073٫6 × 58.4 cm |
National Gallery of Scotland (Edinburgh)[12]
|
 |
Center panel of the Altarpiece of the Resurrection (the Averoldi Polyptych) |
1520–1522 !c. 1520–1522 |
&&&&&&&&&&&&0278.&&&&&0278 × 122 cm |
Santi Nazaro e Celso (Brescia)
|
 |
Bacchus and Ariadne |
1522–1523 !c. 1522–1523 |
&&&&&&&&&&&&0175.&&&&&0175 × 190 cm |
National Gallery (London)[13]
|
 |
Man with a Glove |
1520–1523 !c. 1520–1523 |
&&&&&&&&&&&&0100.&&&&&0100 × 89 cm |
Louvre (Paris)[14]
|
 |
The Entombment |
1523–1525 !c. 1523–1525 |
&&&&&&&&&&&&0148.&&&&&0148 × 225 cm |
Louvre (Paris)[15]
|
 |
Pesaro Madonna |
1519–1526 !c. 1519–1526 |
&&&&&&&&&&&&0478.&&&&&0478 × 268 cm |
Basilica di Santa Maria Gloriosa dei Frari (Venice)
|
|
Altarpiece of San Nicolò della Lattuga
|
1522–1526 !c. 1522–1526
|
&&&&&&&&&&&&0388.&&&&&0388 × 260 cm
|
Vatican Museums
|
| ملف:Tiziano - Federico II Gonzaga (1529) 2.jpg |
Portrait of Federico II Gonzaga |
1525–1528 !c. 1525–1528 |
&&&&&&&&&&&&0125.&&&&&0125 × 99 cm |
Museo del Prado (Madrid)[16]
|
 |
Madonna and Child with Saint Catherine and a Rabbit |
1530 |
&&&&&&&&&&&&&071.&&&&&071 × 85 cm |
Louvre (Paris)
|
 |
Portrait of Giacomo di Andrea Dolfin |
1531–1532 !c. 1531–1532 |
&&&&&&&&&&&&0101.&&&&&0101 × 88 cm |
Los Angeles County Museum of Art (Los Angeles)[17]
|
|
Portrait of a Venetian Nobleman
|
after 1530
|
108.0 cm × 91.4 cm
|
Norton Simon Museum (Pasadena)
|
|
Portrait of Ippolito de' Medici
|
1532–1533
|
139 x 107 cm
|
Palazzo Pitti (Florence)
|
 |
Madonna and Child with Saint John the Baptist and Saint Catherine (Aldobrandini Madonna) |
1532 !c. 1532 |
&&&&&&&&&&&&0100.600000100٫6 × 142.2 cm |
National Gallery (London)[18]
|
 |
Portrait of Charles V with a Dog |
1532–1533 !c. 1532–1533 |
&&&&&&&&&&&&0192.&&&&&0192 × 111 cm |
Museo del Prado (Madrid)[19]
|
 |
The Penitent Magdalene |
1531–1533 !c. 1531–1533 |
&&&&&&&&&&&&&085.&&&&&085 × 68 cm |
Palazzo Pitti (Florence)
|
 |
Presentation of the Virgin !The Presentation of the Virgin at the Temple |
1534–1538 !c. 1534–1538 |
&&&&&&&&&&&&0345.&&&&&0345 x 775 cm |
Gallerie dell'Accademia (Venice)
|
|
Portrait of a Lady
|
1525–1565 !c. 1525–1565
|
&&&&&&&&&&&&&063.50000063٫5 x 51.8 cm
|
Art Institute of Chicago (Chicago)
|
|
Portrait of Giulia Gonzaga
|
1530–1539 !c. 1530–1539
|
&&&&&&&&&&&&&092.&&&&&092 x 81 cm
|
Private collection (Italy)
|
 |
Portrait of Isabella d'Este |
1534–1536 !c. 1534–1536 |
&&&&&&&&&&&&0102.&&&&&0102 × 64 cm |
Kunsthistorisches Museum (Vienna)[20]
|
 |
Girl in a Fur |
1535 !c. 1535 |
&&&&&&&&&&&&&095.&&&&&095 × 63 cm |
Kunsthistorisches Museum (Vienna)[21]
|
 |
Pilgrims at Emmaus |
1533–1534 !c. 1533–1534 |
&&&&&&&&&&&&0169.&&&&&0169 × 244 cm |
Louvre (Paris)
|
|
Supper at Emmaus
|
1534 !c. 1534
|
&&&&&&&&&&&&0169.&&&&&0169 × 211 cm
|
Walker Art Gallery (Liverpool)
|
|
Supper at Emmaus
|
1545 !c. 1545
|
&&&&&&&&&&&&0163.&&&&&0163 × 200 cm
|
National Gallery of Ireland (Dublin)
|
 |
La Bella |
1536 |
&&&&&&&&&&&&0100.&&&&&0100 × 75 cm |
Palazzo Pitti (Florence)
|
 |
Portrait of a Young Woman with Feather Hat |
1536 !c. 1536 |
&&&&&&&&&&&&&097.&&&&&097 × 75 cm |
Hermitage Museum (Saint Petersburg)
|
|
Allegory of Marriage
|
1530–1535 !c. 1530–1535
|
&&&&&&&&&&&&0123.&&&&&0123 × 107 cm
|
Louvre (Paris)
|
 |
Portrait of Francesco Maria I della Rovere, Duke of Urbino |
1536–1538 !c. 1536–1538 |
&&&&&&&&&&&&0114.300000114٫3 × 100 cm |
Uffizi (Florence)
|
 |
Portrait of Pietro Aretino |
1537 !c. 1537 |
&&&&&&&&&&&&0102.&&&&&0102 × 86 cm |
Frick Collection (New York City)
|
|
Portrait of a Man with a Falcon
|
1537 !c. 1537
|
&&&&&&&&&&&&0109.&&&&&0109 × 94 cm
|
Joslyn Art Museum (Omaha)
|
| ملف:Tizian - Porträt der Eleonora Gonzaga.jpg |
Portrait of Eleonora Gonzaga della Rovere |
1538 |
&&&&&&&&&&&&0114.&&&&&0114 × 102.2 cm |
Uffizi (Florence)
|
 |
Venus of Urbino |
1538 |
&&&&&&&&&&&&0119.&&&&&0119 × 165 cm |
Uffizi (Florence)
|
|
Portrait of Count Antonio Porcia and Brugnera
|
1535–1540 !c. 1535–1540
|
&&&&&&&&&&&&0115.&&&&&0115 × 93 cm
|
Pinacoteca di Brera (Milan)
|
|
Portrait of Benedetto Varchi
|
1536–1540 !c. 1536–1540
|
&&&&&&&&&&&&0119.&&&&&0119.3 × 92.7 cm
|
Kunsthistorisches Museum (Vienna)
|
 |
An Unknown Cardinal |
1540-1550 !1540-1550 |
&&&&&&&&&&&&&097.&&&&&097 x 66 cm |
National Trust (Petworth House) Attributed to Titian
|
 |
Portrait of Cardinal Pietro Bembo |
1540 |
&&&&&&&&&&&&&094.30000094٫3 × 76.5 cm |
National Gallery of Art (Washington, D.C.)[22]
|
 |
Portrait of Doge Andrea Gritti |
1546–1550 !c. 1546–1550 |
&&&&&&&&&&&&0133.300000133٫3 × 103.2 cm |
National Gallery of Art (Washington, D.C.)[23]
|
 |
Portrait of Pope Sixtus IV |
1540 !c. 1540 |
&&&&&&&&&&&&0109.500000109٫5 × 87 cm |
Uffizi (Florence)
|
 |
Sciarra Madonna |
1540 !c. 1540 |
|
Museu Nacional d'Art de Catalunya (Barcelona)
|
 |
Alfonso d'Avalos Addressing His Troops |
1540–1541 !c. 1540–1541 |
&&&&&&&&&&&&0223.&&&&&0223 × 165 cm |
Museo del Prado (Madrid)[24]
|
|
Tobias and the Angel
|
1540–1545 !c. 1540–1545
|
&&&&&&&&&&&&0200.&&&&&0200 × 140 cm
|
Madonna dell'Orto, (Venice)
|
 |
Portrait of Clarissa Strozzi |
1542 |
&&&&&&&&&&&&0115.&&&&&0115 × 98 cm |
Gemäldegalerie, Berlin
|
 |
Crowning !The Crowning with Thorns |
1542–1544 !c. 1542–1544 |
&&&&&&&&&&&&0303.&&&&&0303 × 180 cm |
Louvre (Paris)
|
 |
Crowning !Last Supper |
1542–1544 !c. 1542–1544 |
&&&&&&&&&&&&0163.&&&&&0163 × 104 cm |
Galleria Nazionale delle Marche (Urbino)
|
 |
Portrait of a Young Englishman |
1540–1545 !c. 1540–1545 |
&&&&&&&&&&&&0111.&&&&&0111 × 93 cm |
Palazzo Pitti (Florence)
|
 |
Portrait of Ranuccio Farnese |
1542 |
&&&&&&&&&&&&&089.70000089٫7 × 73.6 cm |
National Gallery of Art (Washington, D.C.)[25]
|
 |
Portrait of Pope Paul III |
1543 |
&&&&&&&&&&&&0108.&&&&&0108 × 80 cm |
Museo di Capodimonte (Naples)
|
 |
Ecce Homo |
1543 |
&&&&&&&&&&&&0242.&&&&&0242 × 361 cm |
Kunsthistorisches Museum (Vienna)
|
 |
Cain Slaying Abel |
1543–44 |
&&&&&&&&&&&&0292.100000292٫1 × 280.0 cm |
Santa Maria della Salute (Venice)
|
 |
David and Goliath |
1543–44 |
&&&&&&&&&&&&0292.100000292٫1 × 281.9 cm |
Santa Maria della Salute (Venice)
|
 |
Abraham and Isaac |
1542–44
|
328 cm × 285 cm
|
Santa Maria della Salute (Venice)
|
 |
Portrait of Pietro Aretino |
1545 !c. 1545 |
&&&&&&&&&&&&&098.&&&&&098 × 78 cm |
Palazzo Pitti (Florence)
|
 |
Portrait of Cardinal Alessandro Farnese |
1545 !c.1545-1546 |
|
Museo di Capodimonte (Naples)
|
 |
Pope Paul III and His Grandsons |
1546 |
&&&&&&&&&&&&0210.&&&&&0210 × 174 cm |
Museo di Capodimonte (Naples)
|
 |
Danaë (one of at least four versions) |
1546 |
&&&&&&&&&&&&0120.&&&&&0120 × 172 cm |
Museo di Capodimonte (Naples)
|
 |
Portrait of the Vendramin Family |
1547 |
&&&&&&&&&&&&0206.&&&&&0206 × 301 cm |
National Gallery (London)[26]
|
 |
Equestrian Portrait of Charles V |
1548 |
&&&&&&&&&&&&0332.&&&&&0332 × 279 cm |
Museo del Prado (Madrid)[27]
|
 |
Portrait of Charles V Seated |
1548 |
&&&&&&&&&&&&0205.&&&&&0205 × 122 cm |
Alte Pinakothek (Munich)
|
 |
Portrait of Isabella of Portugal |
1548 |
&&&&&&&&&&&&0117.&&&&&0117 × 93 cm |
Museo del Prado (Madrid)[28]
|
 |
Venus and Musician |
1548 |
&&&&&&&&&&&&0148.&&&&&0148 × 217 cm |
Museo del Prado (Madrid)[29]
|
 |
John Frederick I, Elector of Saxony in Armour |
1548 |
&&&&&&&&&&&&0129.&&&&&0129 × 93 cm |
Museo del Prado (Madrid)[30]
|
 |
Tityus |
1549 |
&&&&&&&&&&&&0253.&&&&&0253 × 217 cm |
Museo del Prado (Madrid)[31]
|
 |
Sisyphus |
1549 |
&&&&&&&&&&&&0237.&&&&&0237 × 216 cm |
Museo del Prado (Madrid)[32]
|
 |
Saint John the Almoner |
1549 !c. 1549 |
&&&&&&&&&&&&0229.&&&&&0229 × 156 cm |
San Giovanni Elemosinario (Venice)
|
 |
The Fall of Man |
1550 !c. 1550 |
&&&&&&&&&&&&0240.&&&&&0240 × 186 cm |
Museo del Prado (Madrid)[33]
|
 |
Mater Dolorosa |
1550 |
&&&&&&&&&&&&&068.&&&&&068 × 61 cm |
Museo del Prado (Madrid)[34]
|
 |
Portrait of John Frederick I, Elector of Saxony |
1550–51 |
&&&&&&&&&&&&0103.500000103٫5 × 83 cm |
Kunsthistorisches Museum (Vienna)[35]
|
 |
Portrait of a Lady and Her Daughter |
c.1550 |
&&&&&&&&&&&&&088.&&&&&088 × 80,7 cm |
Rubenshuis (Antwerp)[36]
|
 |
Venus with an Organist |
1550 !c. 1550 |
&&&&&&&&&&&&0115.&&&&&0115 × 280 cm |
Gemäldegalerie, Berlin
|
|
Mars, Venus and Amor
|
c. 1550
|
97 x 109 cm
|
Kunsthistorisches Museum (Vienna)
|
 |
Knight of Malta with a Watch |
1550 !c. 1550 |
&&&&&&&&&&&&0122.&&&&&0122 × 101 cm |
Museo del Prado (Madrid)[37]
|
 |
Penitent Magdalene |
1550 !c. 1550 |
|
Museo di Capodimonte (Naples)
|
 |
Saint Jerome in Penitence |
1550–1560 |
&&&&&&&&&&&&0255.&&&&&0255 × 125 cm |
Pinacoteca di Brera (Milan)
|
 |
Portrait of Philip II in Armour |
1551 |
&&&&&&&&&&&&0193.&&&&&0193 × 111 cm |
Museo del Prado (Madrid)[38]
|
 |
Portrait of Cardinal Cristoforo Madruzzo |
1552 |
&&&&&&&&&&&&0230.&&&&&0230 x 131 cm |
São Paulo Museum of Art (São Paulo)
|
 |
Holy Trinity !The Holy Trinity (La Gloria) |
1551–1554 |
&&&&&&&&&&&&0346.&&&&&0346 × 240 cm |
Museo del Prado (Madrid)[39]
|
 |
Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in New York and Rome below. |
1553–1554 |
&&&&&&&&&&&&0186.&&&&&0186 × 207 cm |
Museo del Prado (Madrid)[40]
|
 |
Mater Dolorosa with Open Hands |
1554 |
&&&&&&&&&&&&&068.&&&&&068 × 53 cm |
Museo del Prado (Madrid)[41]
|
|
Christ Appearing to His Mother After His Resurrection
|
1554
|
|
|
|
Woman Holding an Apple
|
1550–1555 !c. 1550–1555
|
&&&&&&&&&&&&&097.80000097٫8 × 73.8 cm
|
National Gallery of Art (Washington, D.C.)
|
 |
Danaë and the Shower of Gold |
1554 |
&&&&&&&&&&&&0128.&&&&&0128 × 178 cm |
Museo del Prado (Madrid)[42]
|
 |
Perseus and Andromeda |
1554–1556 !c. 1554–1556 |
&&&&&&&&&&&&0175.&&&&&0175 × 189.5 cm |
Wallace Collection (London)
|
 |
Portrait of Philip II |
c. 1554 |
|
Museo di Capodimonte (Naples)
|
 |
Portrait of Queen Christina of Denmark |
1555–1556 !c. 1555–1556 |
&&&&&&&&&&&&0112.&&&&&0112 × 83 cm |
National Museum of Serbia (Belgrade)
|
 |
Venus with a Mirror |
1555 !c. 1555 |
&&&&&&&&&&&&0124.500000124٫5 × 105.5 cm |
National Gallery of Art (Washington, D.C.)[43]
|
 |
Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. |
1555 !c. 1555 |
&&&&&&&&&&&&0106.&&&&&0106 × 133 cm |
Metropolitan Museum of Art (New York)
|
 |
Filippo Archinto, Archbishop of Milan |
1555 !c. 1555 |
&&&&&&&&&&&&0118.&&&&&0118 × 94 cm |
Metropolitan Museum of Art (New York)
|
 |
Venus and the Lute Player |
1555-1565 !c. 1555–1565 |
&&&&&&&&&&&&0150.&&&&&0150 × 196 cm |
Fitzwilliam Museum (Cambridge)
|
 |
Diana and Actaeon |
1556–1559 |
&&&&&&&&&&&&0190.300000190٫3 × 207 cm |
National Gallery (London)[44]/ National Gallery of Scotland (Edinburgh)[45]
|
|
Portrait of Fabrizio Salvaresio
|
1558
|
&&&&&&&&&&&&0112.&&&&&0112 × 88 cm
|
Kunsthistorisches Museum (Vienna)
|
 |
Crucifixion |
1558 |
&&&&&&&&&&&&0371.&&&&&0371 × 197 cm |
Church of San Domenico, (Ancona)
|
 |
The Martyrdom of Saint Lawrence |
1559 |
&&&&&&&&&&&&0500.&&&&&0500 × 280 cm |
I Gesuiti (Venice)
|
 |
Diana and Callisto |
1559 |
&&&&&&&&&&&&0187.&&&&&0187 × 205 cm |
National Gallery (London) / National Gallery of Scotland (Edinburgh)[46]
|
 |
The Entombment |
1559 |
&&&&&&&&&&&&0137.&&&&&0137 × 175 cm |
Museo del Prado (Madrid)[47]
|
 |
Rape !The Rape of Europa |
1559–1562 |
&&&&&&&&&&&&0185.&&&&&0185 × 205 cm |
Isabella Stewart Gardner Museum (Boston)
|
 |
Annunciation |
1559–1564 |
&&&&&&&&&&&&0410.&&&&&0410 × 240 cm |
San Salvador (Venice)
|
 |
Death of Actaeon !The Death of Actaeon |
1559–1575 !c. 1559–1575 |
&&&&&&&&&&&&0178.400000178٫4 × 198.1 cm |
National Gallery (London)[48]
|
 |
Salome |
1560 !c. 1560 |
&&&&&&&&&&&&&087.&&&&&087 × 80 cm |
Museo del Prado (Madrid)[49]
|
|
Girl with a Platter of Fruit
|
c. 1558
|
102 x 82 cm
|
Gemäldegalerie (Berlin)
|
 |
Venus and Adonis - many different versions, with varying contributions by Titian himself. See ones in the Prado and New York above. |
1560 !c. 1560 |
&&&&&&&&&&&&0187.&&&&&0187 × 184 cm |
Galleria Nazionale d'Arte Antica (Rome)
|
 |
Madonna and Child with Saints Luke and Catherine of Alexandria |
1560 !c. 1560 |
&&&&&&&&&&&&0127.800000127٫8 × 169.7 cm |
(Bought by a private bidder on 28 January 2011)
|
 |
Nicolò Zen |
1560-1565 !c. 1560-1565 |
&&&&&&&&&&&&0125.700000125٫7 x 96.8 cm |
National Trust (Kingston Lacy)
|
 |
Self-portrait |
1560–1562 !c. 1560–1562 |
&&&&&&&&&&&&&096.&&&&&096 × 72 cm |
Gemäldegalerie, Berlin
|
 |
Tribute Money !The Tribute Money |
1560–1568 !c. 1560–1568 |
&&&&&&&&&&&&0112.200000112٫2 x 103.2 cm |
National Gallery (London)[50]
|
 |
The Penitent Magdalene |
1565 !c. 1565 |
&&&&&&&&&&&&0118.&&&&&0118 × 97 cm |
Hermitage Museum (Saint Petersburg)
|
 |
Saint Dominic |
1565 !c. 1565 |
&&&&&&&&&&&&&097.&&&&&097 × 80 cm |
Galleria Borghese, (Rome)
|
 |
Allegory of Prudence |
1565–1570 !c. 1565–1570 |
&&&&&&&&&&&&&076.20000076٫2 × 68.6 cm |
National Gallery (London)[51]
|
 |
Venus and a Lute Player |
1565-1570 !c. 1565-1570 |
&&&&&&&&&&&&0165.&&&&&0165 × 209 cm |
Metropolitan Museum of Art (New York)
|
 |
Entombment !The Entombment |
1566 |
&&&&&&&&&&&&0130.&&&&&0130 × 168 cm |
Museo del Prado (Madrid)[52]
|
 |
Self-portrait |
1567 !c. 1567 |
&&&&&&&&&&&&&086.&&&&&086 × 65 cm |
Museo del Prado (Madrid)[53]
|
 |
Portrait of Jacopo Strada |
1567–1568 !c. 1567–1568 |
&&&&&&&&&&&&0125.&&&&&0125 × 95 cm |
Kunsthistorisches Museum (Vienna)[54]
|
|
Judith with the Head of Holofernes
|
c. 1570
|
113 × 95.3 cm
|
Detroit Institute of Arts (Detroit)
|
|
Salome
|
c. 1570
|
114 × 96 cm
|
Private collection
|
|
Salome
|
1560–1570 !c. 1560–1570
|
90 × 83.3 cm
|
National Museum of Western Art (Tokyo). Attributed to Titian and workshop
|
 |
Tarquin and Lucretia |
1571 |
&&&&&&&&&&&&0189.&&&&&0189 × 145 cm |
Fitzwilliam Museum (Cambridge)
|
 |
Punishment of Marsyas |
1570 !c. 1570-1576 |
&&&&&&&&&&&&0212.&&&&&0212 × 207 cm |
National Museum, (Kroměříž)
|
 |
Nymph and Shepherd |
1570–1576 !c. 1570–1576 |
&&&&&&&&&&&&0149.700000149٫7 × 187 cm |
Kunsthistorisches Museum (Vienna)[55]
|
 |
Pietà |
1570–1576 !c. 1570–1576 |
&&&&&&&&&&&&0351.&&&&&0351 × 389 cm |
Gallerie dell'Accademia (Venice)
|
 |
The Crowning with Thorns |
1570–1576 !c. 1570–1576 |
&&&&&&&&&&&&0280.&&&&&0280 × 181 cm |
Alte Pinakothek (Munich)
|