موسيقى دينية

(تم التحويل من الموسيقى الدينية)
داوود يعزف القيثارة (فنان مجهول 960) كتاب المزامير، المجود في الترتيل اليهودي والمسيحي، ويقال أنه كتبه معظمه داوود، احد أوائل مجموعات الموسيقى الدينية، وما زال يلعب أدوار في الديانتين.

الموسيقى الدينية Religious music او sacred music تعزف وتؤلف للاستخدام الديني أو خلال النفوذ الديني. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.

Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices.[1][2][3] Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (horn, saxophone, trumpet and variations of such) can be commonly found in Islam and Judaism.[4][5]

Throughout each religion, each form of religious music, within the specific religion, differs for a different purpose. For example, in Islamic music, some types of music are used for prayer while others are used for celebrations.[6] Similarly, a variation like this is shared between many other religions.

Music plays a significant role in many religions. In some religions, such as Buddhism, music helps people calm their minds and focus before meditation. In Sikh music, known as Kirtan, the music helps people connect with the teachings of the religion and with God.[7] Some other religions, such as Islam, use music to recite the word of their holy book.[8] Some religions relate their music to non-religious musicians. For example, Rastafarian music heavily relates to reggae music.[بحاجة لمصدر] Religious music helps those of all religions connect with their faith and remember their religious values.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

الموسيقى البوذية

المقالة الرئيسية: Buddhist music and Buddhist chant

Buddhist music is music created for or inspired by Buddhism and part of Buddhist art.


التسابيح البوذية

Buddhist chanting is a form of musical verse or incantation, which is similar to religious recitations of other faiths. Buddhist chanting is the traditional means of preparing the mind for meditation, especially as part of formal practice (in either a lay or monastic context). Some Buddhist traditions also use chanting as a form of devotional practices.[9]

Apart from chanting, in certain Buddhist traditions, offerings of music are given in honor of the Triple Gem, consisting of traditional music performed by specialists, or of the ritual music that accompanies the chanting. One significant example lies in Sri Lankan tradition, where a traditional ceremony is performed by drummers as a musical offering, also popularly known as "Sabda-Puja".

الموسيقى المسيحية

المقالة الرئيسية: المسيقى الكنسية and الموسيقى المسيحية

According to some scholars, the earliest music in the Christian Church came from Jewish worship music, with some additional Syriac influence.[10] It is believed that this music lay somewhere between singing and speaking, or speaking with an understood ritual cadence.[11] However, there is another opinion that the roots of early Christian music come from the early ascetic monastic orders.[12]

Hymns

للمزيد من المعلومات: Hymnody of continental Europe

Christian music has diversified over time, reflecting both its centuries-old roots as well as more contemporary musical styles. Thousands of traditionally-styled songs of praise or worship, called "hymns" (from the Greek word hymnos meaning, "song of praise"), were written over hundreds of years. Eventually, these songs were compiled into books called "hymnals", from which pastors and congregants would read during Christian services – a practice that continues in many churches today.

Prior to the eighteenth century, Christian hymnals were published as standalone texts without accompanying musical scores. The first American hymnal with both text and song was published in 1831. In Europe, the Church of England did not officially allow hymns to be sung until 1820. Originally, hymns were sung by "lining out" the lyrics, meaning, the pastor would sing a line, and then the congregation would repeat it. This was done because, at that time, books were expensive, so it was economical to provide the pastor of a church with one copy from which everyone could sing.[13]

Christian Music in the Modern Era

Tribal Chak child in Bangladesh is singing Christian children song in Bangla.

Modern methods of publication have made hymnals much more accessible to the public today than previously. The practice of "lining out" the lyrics of hymns has therefore largely fallen away, although it continues to be practiced in some traditional churches. In the twentieth century, Christian music has developed to reflect the emergence of a diverse array of musical genres including rock, metal, pop, jazz, contemporary, rap, spiritual, country, blues, and gospel. The use of specific genres and styles of music in church services today varies across Christian denominations and according to the personal preference of pastors and church members. As of the late twentieth century, there has been a widespread preference in less traditional churches towards using contemporary music (particularly, "praise and worship" songs, which attempt to preserve the religious intent of hymns but use contemporary lyrics and a more modern musical sound instead) as well as gospel and spiritual music.

الموسيقى الهندية

المقالة الرئيسية: Hindu music

Hindu music is music created for or influenced by Hinduism. It includes Carnatic music, Indian classical music, Hindustani classical music, Kirtan, Bhajan and other musical genres. Raagas are a common form of Hindu music in classical India. Vedas are also in Hindu music.

A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas, which list a divinity's 1008 names. Great importance is attributed to the singing of bhajans with Bhakti, i.e. loving devotion. "Rasanam Lakshanam Bhajanam" means the act by which we feel more closer to our inner self or God, is a bhajan. Acts which are done for the God is called bhajan.

A raga[14] or raag (IAST: rāga; also raaga or ragam; literally "coloring, tingeing, dyeing") is a melodic framework for improvisation akin to a melodic mode in Indian classical music.

موسيقى السيخ

المقالة الرئيسية: Sikh music


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

الموسيقى اليهودية

المقالة الرئيسية: Jewish music

اوائل الموسيقى في معابد اليهود تعتمد على نفس النظام في المعبد في القدس. حسب التلمود كان يوشع بين حنانيا، الذي عمل في جوقة لفيت اخبر كيف ذهب منشدو الجوقة للمبعد اليهودي من الاوركسترا من المذبح (Talmud, Suk. 53a)، وهكذا شاركوا في كلا الصلوات.

الموسيقى الإسلامية

المقالة الرئيسية: الموسيقى الإسلامية

Islamic music comes in many forms. Each form is used for different purposes as one may be for prayers and complete focus towards Allah (God) and while the other is entertainment, however still including that religious aspect.

Prayer

Islamic prayer is a type of religious music that Muslims use when they pray and worship Allah. These prayers (in Arabic, prayer is Salah) that occur five times a day. These prayers are conducted by facing Mecca while standing, having both knees to the ground, and bowing. During prayer, recitations are usually of the Islamic holy book: the Quran.[1] Throughout the day, in Mecca, these prayers connect the Muslim people through a series of melodic prayers that are often amplified throughout the city. In Islam, the implication of prayer, and in this case the Salah, is for ritual since it is believed to be the direct word of God that shall be performed as a collective, as well as individually.[1]

Sufi Music

Sufism, Islam's mystical dimension, advocates peace, tolerance, and pluralism, as well as music as a means of improving one's relationship with God. Sufi music aims to bring listeners closer to God. The deep urge to dissolve the physical realm and transcend into the spiritual universe, which occurs through the practice of listening to music, chanting, and whirling, and culminating in spiritual ecstasy, lies at the heart of Sufi lyrics.[15] Because music is viewed as a tool for the believer to grow closer to the holy, sound and music are important to the basic experience of Sufism. Sufi music is therefore music created by and for the soul.[15]

Naat

The other form of Islamic music is Naat.[16] The word Naat has Arabic origins and translates to praise. A poem that praises the Islamic Prophet Muhammad is referred to as Naat (نعت) in Urdu. First naat dates back to the era of Muhammad and was written in Arabic. It later spread throughout the world and reached various literatures including Urdu, Punjabi, Sindhi, Pashto, Turkish, Seraiki and more. Naat-Khuwan or Sana-Khuwan are known as those who recite Naat.[17]

Instruments

  • Chordophones, or stringed instruments
  • Zornā and gayta as aerophones, or wind instruments
  • Būq, or horn
  • Nafīr, or long trumpet
  • Idiophones, membranophones, tambourines, or frame drums

Melodic Organization

Islamic music is monophonic, meaning it has only one melody line. Everything in performance is based on the refinement of the melodic line and the complexity of the beat. Although a simple arrangement of notes, octaves, fifths, and fourths, usually below the melody notes, may be used as ornamentation, the concept of harmony is absent.[8] Microtonality and the variety of intervals used are two components that contribute to the melody's enrichment. As a result, the three-quarter tone, which was first used in Islamic music in the ninth or tenth centuries, coexists with bigger and smaller intervals. Musicians have a keen sensitivity to pitch variations, often altering even the perfect consonances, the fourth and fifth, somewhat.[8]

History of Islamic prayer

Riccold De Monte, a famous travel writer, stated in the year 1228, "What shall I say of their prayer? For they pray with such concentration and devotion that I was astonished when I was able to see it personally and observe it with my own eyes."[1] The origin of the art of prayer in all Abrahamic religions is to glorify God and the same goes for Islam. The Al Salat is the most widely used word to mean institutionalized prayer and is one of the oldest forms of prayer in Islam.[18] Islamic prayer, traditions, and ideals had influence from these Abrahamic religions.[19] The time of origination of Salah came from Muhammad in a cave as he began to worship Allah (God). It is believed that through this act of worship Mohammad interacted with the Abrahamic prophet Moses.[1] Now these "prayers" come in the form of recitations of the Quran and poems written by prophets of the faith.

Spread of Islamic prayer

Besides the spread of Islam through Arabia by prophets, it spread through trade routes like the Silk Road and through conflicts of war. Through the Silk Road traders and members of the early Muslim faith were able to go to countries such as China and create mosques around 627 C. E.[20] As men from the Middle East went to China they would marry these Asian women, which led to a spreading of the faith and traditions of Islam in multiplicities.[20] The Crusades in the 9th and 10th centuries encouraged the spread of Islam through the invasions of Latin Christian soldiers and Muslim soldiers into each other's lands. The whole conflict began on the premises of a Holy Land and which group of people owned these lands that led to these foes invading their respective lands.[21] As the religion itself spread so did its implications of ritual, such as prayer.

Relation of Islamic Music to Other Cultures

Both musical theory and practice illustrate the relationship between Islamic and Western music. Many Greek treatises had been translated into Arabic by the 9th century. Greek musical texts were maintained in Arabic culture, and the majority of those that reached the West did so in their Arabic translations. Arab philosophers adopted Greek models and often improved on them.[22] The Muslim conquest of Spain and Portugal, as well as the Crusades to the Middle East, introduced Europeans to Arabic theoretical works and thriving Islamic art music. Moreover, Arab invaders entered India as early as 711 AD, while Mongol and Turkmen forces eventually invaded the Middle East, bringing Islamic and Far Eastern music together. There are parallels between India's and the Middle East's modal systems, as well as some cosmological and ethical ideas of music.[22]

موسيقى راستارفريان

المقالة الرئيسية: Rastafarian music


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

موسيقى الشنتو

المقالة الرئيسية: Shintō music

موسيقى الشنتو (神楽) هي موسيقى احتفالية للشنتو (神道) وهي ديانة يابانية.

الموسيقى البوذية

المقالة الرئيسية: Buddhist music

الموسيقى البوذية هي موسيقى للاحتفال البوذي أو التأمل.

الموسيقى الزوروأستريا

المقالة الرئيسية: Zoroastrian music

الموسيقى الزوروأسترية هي نوع من المويسيقى التي تصاحب الطقوس الزورأسترية

انظر أيضا

المراجع

  1. ^ أ ب ت ث ج A. Rasheid, Omar. "Muslim Prayer and Public Spheres: An Interpretation of the Quranic Verse 29:45". Interpretation: A Journal of Bible and Theology. 68: 41.
  2. ^ "Jewish Sacred Music | Sacred Music Radio" (in الإنجليزية الأمريكية). 2013-08-28. Retrieved 2022-05-20.
  3. ^ "InKAS – Korean shamanism". inkas.org. Retrieved 2022-05-04.
  4. ^ "Instruments | Hong Kong Quanzhen Temples Taoist Ritual Music". daoistmusichk.org. Retrieved 2022-05-04.
  5. ^ "BBC – Religions – Rastafari: Worship and customs". BBC (in الإنجليزية البريطانية). Retrieved 2022-05-09.
  6. ^ "Muslim Call to Prayer | Smithsonian Folkways Magazine". folkways.si.edu (in الإنجليزية الأمريكية). Retrieved 2022-05-28.
  7. ^ خطأ استشهاد: وسم <ref> غير صحيح؛ لا نص تم توفيره للمراجع المسماة :4
  8. ^ أ ب ت "Islamic arts – Music | Britannica". www.britannica.com (in الإنجليزية). Retrieved 2022-05-04.
  9. ^ Kariyawasam, A.G.S. (1995). Buddhist Ceremonies and Rituals of Sri Lanka. The Wheel Publication. Kandy, Sri Lanka: Buddhist Publication Society. Retrieved 9 June 2021.
  10. ^ Conomos 2003.
  11. ^ Foley 2008,[صفحة مطلوبة].
  12. ^ Taruskin and Gibbs 2013, p. 9.
  13. ^ Townsend, James (1991). "The Golden Age of Hymns: Did You Know?". Christianity Today. No. 31. Retrieved 19 February 2019.
  14. ^ Raaga
  15. ^ أ ب "Sufi music: The song of the soul". The Economic Times. Retrieved 2022-05-09.
  16. ^ Mehmood, Dr Tariq Mehmood Hashmi Tariq (2019-12-30). "اردو نعت کا تعظیمی بیانیہ". Tasdiqتصدیق۔ (in الإنجليزية). 1 (1): 31–41. ISSN 2707-6229.
  17. ^ colors, Birthday of Prophet to be celebrated with; Travel, clothes in Pakistan | Pakistan; Articlessays, Culture (2010-02-21). "Naat a tradition of praise of prophet and an Art of melody". Pakistan Travel & Culture (in الإنجليزية الأمريكية). Retrieved 2022-05-09.
  18. ^ Khalee, Mohammed (1999). "The Foundation of Muslim Prayer". Medieval Encounters. 5.
  19. ^ Hienz, Justin (August 2008). "SIXTH AND SEVENTH CENTURY RELIGIOUS INFLUENCES ON THE SALĀT RITUAL". The Origins of Muslims Prayer.
  20. ^ أ ب waheed. "Islam Enters the Far East – The Religion of Islam". www.islamreligion.com (in الإنجليزية). Retrieved 2018-10-16.
  21. ^ "Why Muslims See the Crusades So Differently from Christians". HISTORY (in الإنجليزية). Retrieved 2018-10-16.
  22. ^ أ ب "Islamic arts – Musical forms | Britannica". www.britannica.com (in الإنجليزية). Retrieved 2022-05-25.

Foley, Edward (2008). From Age to Age: How Christians have celebrated the Eucharist. Liturgical Press; Collegeville. ISBN 978-0-8146-3078-5.

روابط خارجية

الكلمات الدالة:
تمّ الاسترجاع من "https://www.marefa.org/w/index.php?title=موسيقى_دينية&oldid=3817304"